shoot film not me
I'm a geosciences researcher in Honolulu, Hawaiʻi, who specializes in street portraiture and travel photography. I consider myself a scientist first and photographer a distant second, but love the access my scientific career gets me to places that not many people bring a camera. All portraits were taken with permission.
Please follow the advice provided by my URL. Mahalo.
-Warren
My primary interest is taking a camera into situations not many get the opportunity to experience. While I do enjoy street photography and the experience of getting a good landscape photo, I’m more interested in slices of life in oft-discounted parts of the world. Slice-of-life photography has always been my happy place. All portraits taken with permission of the subject.
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While my first instinct with any landscape is to put away the camera and enjoy it, there are times that I like committing to the process of setting up a camera for landscapes and longer exposures. Like with slice-of-life photography, I am most interested in landscapes that people don’t have as much exposure to, or other views of home.
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Sometimes photos aren’t quite up to a calibre of a project, or sometimes it’s a good change of pace to experiment with unusual films or push the environments you’re shooting in beyond the technical limits you’re used to. Just because something isn’t portfolio calibre doesn’t mean it has no value as a photograph.
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Wabi-sabi (侘寂) is the philosophical acceptance of transience, impermanence, and ultimate unsatisfactoriness of life. As both a philosophy and aesthetic, it’s something I try to engage with continually. These are objects that I found that I connected with at an aesthetic level, mostly collected on a digital camera, generally a Sony A7S II.